America has entered

From President Obama’s landmark announcement that he supports same sex marriage to Beenie Man posting a video asking for forgiveness of his past homophobic songs, tolerance is in! However, tolerance is not justice. In fact, tolerance basically boils down to finding something unobjectionable. Tolerance is the lowest form of acceptance because it allows one to support in words but not follow up with actions. If we are not careful, our tolerance will only serve to maintain the status quo. If we want to move from tolerance towards justice, it will take more than not objecting to same-sex marriage, it’s going to take a commitment to fight injustice and create safer communities for all. Read More

– M1 of Dead Prez on the song “Malcolm, Garvey, Huey”

This week I’ve been peeking in on Ta-Nehisi Coates‘ musings as he re-reads the autobiography of Malcolm X. Coates has done us a great service by sharing his reading of Malcolm’s life as told by Alex Haley, but this service can easily slip into a disservice. Malcolm on one hand has been deified and on the other hand demonized. We must humanize Malcolm, like all the figures in the African Diasporic canon, but we must do it with a particular degree of care and context.

Thus far Coates has posted three entries: “Black Men are Watching Every Move I Make“, “She Had Broken the Spirits of Three Husbands” and “Confronting Valhalla’s Humanity” all of which I received with resonation and reservation. This post is to illuminate my reservations. Most of us are familiar with figures like Malcolm X, Huey P. Newton, and Marcus Garvey as icons. In our history, each of them has become flattened, polished, and made rigid caricatures. Ironically, this is something all three would deeply object to, but this is often the consequence of canonizing. In breaking apart these images though, we must go deeper than just problematizing these brothers, we have to contextualize them.

In “Black Men are Watching Every Move I Make” in the closing Coates states, “I don’t say that to clean Malcolm X. I don’t buy the image of him as a complete convert to integration–nor do I need it, anymore than I needed it for Grant or Lincoln.” When I read this sentence my first thought was, “Malcolm as an integrationist isn’t cleaning it a pure whitewashing.” Coates, like many revisionists of Shabazz’s legacy, passively suggests that integration became a part of his worldview after returning from Mecca (Hajj). Of the many lies perpetrated about/against Malcolm, this is probably one of the most consistent.

Hajj served to reorient Malcolm’s thinking about race, but it did not make him an advocate of integration. He remained steadfast in his non-support of integration. On the day he was assassinated he was to deliver a speech on the OAAU that included him saying, “We consider the word “integration” a misleading, false term. It carries with it certain implications to which Afro-Americans cannot subscribe. This terminology has been applied to the current regulation projects which are supposedly “acceptable” to some classes of society. This very “acceptable” implies some inherent superiority or inferiority instead of acknowledging the true source of the inequalities involved.” X was not an integrationist. X died a Pan-Africanist. X died a nationalist. His travels throughout Africa and the “Middle East” in 1959 and his Hajj in 1964 were watershed moments, but were not 180 degree turns. While many suggest that he created great distance from the Nation of Islam and their beliefs around the racial order of the world, careful students will come to a different conclusion.

The second piece that Coates offers is “She Had Broken the Spirits of Three Husbands.” In this post, Coates takes Malcolm to task on his discussion of and attitudes towards women. Undoubtedly informed from his misogynistic hustling past, the excerpts presented show a cold and shameful side of Malcolm. I can recall just last year re-reading the Autobiography and many of the passages Coates selects stood out to me as well. I wondered, “If Malcolm is our model of Black masculinity and this is perspective on Black women, where does that leave us?” As someone who is very serious about the operation of gender oppression and privilege within the Black community, I too struggled to understand where Malcolm was. While the Autobiography represents a summative work, it is not a complete story. In fact, if we look at Shabazz’s work in with the Organization for Afro-American Unity (OAAU) you see a man who was growing and struggling around gender. In William Sales’ book “From civil rights to Black Liberation: Malcolm X and the Organization of Afro-American Unity” we find Malcolm pushing to systematize and expand the role of women within the OAAU. He felt concerned that the gender oppression popular in his other organization Muslim Mosque Inc. was unduly sabotaging the liberatory work of OAAU. He began to make statements like, “Africa will not be free until it frees its women.” Yet these sentiments were nestled along side a profound distrust for women, which Coates captures in his excerpts. Between the popular image, Coates’ excerpts, and Sales’ analysis we get a fuller and better Malcolm, one that we can look to critically and lovingly.

Malcolm X is undoubtedly one of the most profoundly debated people of the African Diaspora (Sidebar- I’m anxiously awaiting Manning Marable’s book on X). Numerous volumes have attempted to capture that man in various stages, but not surprisingly all falling short. After all, who can truly capture human life in a few pages, a play or a film? But what I learned from reading the Autobiography, from reading beyond the autobiography, and being blessed to sit at the feet of elders who knew and worked with X is that there is a danger in simplifying the complex.

When Dead Prez says, “study Malcolm, Garvey, Huey their life is like a movie” I almost feel as if they’re reeling us in to find a deeper level of truth. The movies that depict all three of these men are often too narrow and too clean to capture their fullness. This fullness includes good, bad, and ugly. If you study them your learn strains of misogyny and feminism run through them all. They were not perfect; they were people. People who brilliantly taught us how to help our people rise while simultaneously showing us their personal limitations. Their vilification in mainstream media has led many to deify them within Black culture. Beginning the process of re-reading Malcolm, and I believe this applies to most known Black political figures, must come from a place of information if it is to lead to transformation.  If we are not informed and transformed, our people get no better. And after all, isn’t that what Malcolm was about?

If you can’t see the video, click here.

p.s. I’ll be awaiting some angry comments … I said awaiting, not necessarily replying to them ;)

My first real introduction to Islam came from Hip-Hop, as is the case for many of my peers. Coming of age on the east coast in the late 80s and 90s meant that Islam became part of the songs you listened to, the names children were given, and was part of “fighting the power.” As a teenager, my naive understanding of the deen of Islam was small, but Hip-Hop showed me that being Muslim and a rapper demanded a different set of standards for living, from not eating pork to dropping knowledge in rhymes. In short, I was in love, but from a far. Fast forward and I find myself in my 30s and have seen the influence of Islam come and go in Hip-Hop culture, but was I reminded of the power of spirituality and creativity merged when watching New Muslim Cool which premiers tonight on PBS POV. Check your local listing.

There are a number of reviews of New Muslim Cool already popping up so if you want a more traditional review check the the Times or for a piece with good context check the Root. The film traces the protagonist Hamza of the M-Team (Muhajideen Team) as he forms a family, builds a career in community transformation, and rocks as a Puerto Rican Muslim MC. Whether hopping on stage with flaming machetes, making dua in Al-Aqsa Islamic Center in Philadelphia, or speaking to Christians in prison, Hamza shows the power of being grounded in spirituality, yet not encumbered by culture. I was most impressed that the film showed indigenous Islam at its finest. (Indigenous Islam usually refers to people born and raised in the US who have practiced Islam outside of a predominantly Muslim cultural context … if you really want to learn more, in particular about the role of Black folks laying the foundation for Islam in America, check out Islam and the Blackamerican.) While the recent 15 years have put a face on Islam in America that is predominantly Arab and South Asian, there are large indigenous communities practicing various forms of Islam and continuing to challenge and refine the relationship between the religion and culture.

The film smoothly captures the contours of Hamza’s life ranging from the struggles of his newly open Masjid (Mosque) getting raided by the Feds, his own quest to grow as a father, and his entering into a cross-cultural marriage. Unfortunately, a capstone narrative on how Hip-Hop fully fit into his evolved life was missing. Filmed over the span of multiple years, I wanted to know, how did Hamza’s view on Hip-Hop as a site for resistance evolve? How had his embracing of Malcolm X evolved as he studied more? How did he see other Muslims in Hip-Hop, particularly non-Sunni Muslims? There is really rich territory to be unearthed on the marriage, divorce, and sometimes estranged relationship between Hip-Hop and Islam. But no film can cover all the bases. I thoroughly enjoyed New Muslim Cool for its careful treatment of Hamza who beautifully embodies two of the most powerful social forces of the past 30 years: Hip-Hop and Islam. As a child of Hip-Hop and an admirer of Islam, I was pleased to see that the “new muslim cool” may just be the maturation of the old muslim cool.

Yesterday and today, some of the most violent attacks on the Palestinian people in decades were launched by the Israeli military. As I write this, the death toll is approximately 280, and the number of innocent lives that will continue to be lost are unknown. I value human life and really have dreamed about a peaceful middle east, but now, more than ever, I’m concerned that my wishes may be nothing more than a dream. The question of Zionism remains one of the most politically contentious among global citizens today, but for me it’s not a question of politics, it’s a question of human life and rights. Beneath you will find two videos from the great Kwame Ture (Stokely Carmichael), who left the earth in 1998, speaking on the distinction between Judaism and Zionism and his position on imperialism. Please listen, I’m sure you won’t agree with all, but there is much to be learned from here. I am amazed at the freedom with which Kwame Ture spoke, you’ll likely never see another Black leader be this unfettered on these matters.

Hattip to Rosa Clemente on the speeches and to Mombe Banga for cajoling me to bring BHC back

Recently I’ve been burning the candle at both ends, so I haven’t been able to get a new post together. But In the meantime, make sure to click around and see what else is happening on my blog roll. In the meantime, let this video be your motivation to be skeptical off all these polls which suggest Obama has a large lead.