Audiences, for the most part, loved Inglorious
Bastards, despite its gross inaccuracy and limited reflection from the
oppressed experience (minus the Shosanna Dreyfus and maybe Donny Donowitz
characters).  The film primarily focused
on the half-wit humor of Pitt’s Midwestern accent and squinty eye. 

You’re right, Django is a bad mutha out to rescue
his lady and kill anyone who gets in his way, but he does show remorse and connection
to the larger injustice as the brother is attacked by the dogs.  In fact, the inhumanity of the act is echoed
by his German buddy, who later can’t help, but take matters into his own
hands.  I also thought it was interesting
that Tarantino would choose a German character (after his last film, Inglorious
Bastards) as Django’s righteous liberator and mentor.

Earlier today, I looked up all of Spike’s box
office results (revenues vs. budgets). 
Not surprising, Spike has provided the world with a number of films that
have lost money (roughly half). 
Moreover, almost all of the films he has written have lost money.  Don’t get me wrong.  I’m a Spike supporter and have been moved by
many of his works.  However, the reality
is that the mainstream audience has not been “entertained” by Mr. Lee’s films (his
biggest grosser was Inside Man, which he did NOT write).  There is a place for both of these film
makers in my heart.  I go to a Tarantino
film to get my world shocked and rocked. 
I go to a Spike flick to think critically about a prevalent issue of our
time.   PS – I still don’t understand
Girl 6.

Audiences, for the most part, loved Inglorious
Bastards, despite its gross inaccuracy and limited reflection from the
oppressed experience (minus the Shosanna Dreyfus and maybe Donny Donowitz
characters).  The film primarily focused
on the half-wit humor of Pitt’s Midwestern accent and squinty eye. 

You’re right, Django is a bad mutha out to rescue
his lady and kill anyone who gets in his way, but he does show remorse and connection
to the larger injustice as the brother is attacked by the dogs.  In fact, the inhumanity of the act is echoed
by his German buddy, who later can’t help, but take matters into his own
hands.  I also thought it was interesting
that Tarantino would choose a German character (after his last film, Inglorious
Bastards) as Django’s righteous liberator and mentor.

Earlier today, I looked up all of Spike’s box
office results (revenues vs. budgets). 
Not surprising, Spike has provided the world with a number of films that
have lost money (roughly half). 
Moreover, almost all of the films he has written have lost money.  Don’t get me wrong.  I’m a Spike supporter and have been moved by
many of his works.  However, the reality
is that the mainstream audience has not been “entertained” by Mr. Lee’s films (his
biggest grosser was Inside Man, which he did NOT write).  There is a place for both of these film
makers in my heart.  I go to a Tarantino
film to get my world shocked and rocked. 
I go to a Spike flick to think critically about a prevalent issue of our
time.   PS – I still don’t understand
Girl 6.