Uptown Notes

So I got an email yesterday with a link to this sign and I was wondering what your thoughts are on this? I imagine there are two basic reactions: 1) Outrage  or 2) Shaking your head and laughing it off. Which camp are you in? Do you have a different reaction? Why do you think you had the reaction you did?

CLICK TO ENLARGE AND READ THE TEXT

So by now, I’m sure you’ve heard that Disney has been working extensively on the “The Princess and The Frog” their first foray into a Black Princess. I for one, am very, very excited… particularly for my niece. She can pretty much be assured that between her mother, my parents, and me she will be outfitted as Princess Maddy Tiana until Disney makes another princess (and trust me my family has an unhealthy obsession with Disney, so give up on convincing us it’s a bad idea). Well, some of you reading this will be saying, “But Dumi, didn’t you hear? The Prince isn’t Black?” Why yes, I did hear that, but I’m not sure it really moves me. I’ve got questions for Disney and You!

There is an ongoing outcry about the Princess not being Black and the Prince, who is named Naveen, being voiced by a Brazilian actor Bruno Campos and being olive complexioned. This has raised a number of questions/issues for Disney to deal with. To many, this is one more signal that Disney is not invested in portraying Black people positively or even worse an attempt to devalue the Black family. While these things are plausible, I wonder most how the decision to name the Prince and draw the Prince came along. I know that the movie has been mired in controversy and some of that controversy/buzz lead the filmmakers to change the Princess’ name from Maddy to Tiana. I wonder if this was intentionally kept beneath the radar or by happenstance, probably the former.

But I’m also interested in asking the public some questions. If the Prince was named Prince Carlos and was voiced by the same actor, would it be so controversial? Or even more so, if he was a bit darker was “noticably” Afro-Brazilian in appearance would it still be considered interracial or controversial?  I imagine so, but that is probably because of how narrowly we define ethnicity within the African Diaspora. With racial and ethnic identity being such a complex subject in Brazil, the questions of who is seen as Black, who identifies as Black, and who is identified as non-Black are oh so critical. Paired with US based definitions of Blackness, that commonly derive into meaning African-American, the pairing would likely raise more than a few eyebrows … but maybe not as many. What if Tiana was noticably lighter-skinned or “Creole”? What if this Prince and Princess controversy was a chance to open conversations within the Diaspora about boundaries and racial meaning … now that sounds like a fairy tale to me!

b.t.w. – I’m really not feeling the lightening bug Ray voiced by Jim Cummings…

So what should be really funny is by the time this posts I should be in the air en route to San Diego … but with my luck cold weather will follow me! But regardless, this is really how it’s been of late in NYC and around the nation I guess.

CLICK HERE

Day ‘n’ Nite – Kid Cudi from DP on Vimeo.

So you know you’re getting old when folks tell you that the “future” is coming and when you look to see what they’re talking about you don’t get excited. That’s been my feeling for the past couple of months when people ad nauseam tell me about Wale, Drake, Charles Hamilton, and the list goes on. People keep telling me they’re the future of Hip-Hop. Unfortunately, I just don’t feel these cats … maybe they’ll grow or someone will tell me why I shouldn’t clown someone who is on the Canadian Saved By the Bell/21 Jump Street. When did doing hooks become the marker of Hip-Hop to come? I just feel like this is middle classification of Hip-Hop, alright enough of my old man ranting. But there is some good in this new “class”, I have to give props where they are due … I messes with Kid Cudi.

Normally I really don’t listen to cats who complain before they blow, but Kid Cudi is getting a pass. The above video for Day and Night, which way hotter than the official video got me hooked a while back(hattip to QaidJ). His work on 808s and the Death of Adam made me think this kid could really make a nice addition to the rotation. Earlier this week, I got forwarded I Poke Her Face by Kudi which features Kanye West and Common. Thankfully Common resurrects on this track, if you recall I think he attempted to kill his career by releasing Universal Mind Control.

I Poke Her Face

I’m not sure if any of the aforementioned cats are the future of Hip-Hop but just had to get that off my chest.

I really consider myself lucky to have such a loving circle of friends and family. I often want the love that I experience from them to be transmittable to all that I come in contact with, but for so many reasons that is impossible. Many of my greatest friends have unbelievable stories and talents that they’d rather use humbly to better society than plaster themselves over the planet. Well, I must break this quiet greatness for some of them! Last Friday, I had a glimpse into how the love, struggle, and growth that one of my friends has experienced can be transmitted to hundreds quickly, powerfully, yet intimately. At the close of the week, I darted from my campus to board a bus to go to Philadelphia to see SOARS (Story of a Rape Survivor) presented by A Long Walk Home at the University of Pennsylvania. My dear friend, sister, and scholar Salamishah Tillet is a co-founder of A Long Walk Home and the production chronicles her journey through sexual assault and the ongoing healing process. The performance, which runs two hours, features poetry, dance, visual documentary, and song. It is not just an expression of one woman’s story, but the story of many women and men.

Sexual assault remains one of the most taboo and silenced experiences globally and particularly in the Black community. Through SOARS, A Long Walk Home is not only raising awareness but also creating spaces for solutions and healing. CONTINUE READING

Over the weekend I reluctantly listened to the news as they discussed Somali Pirates and the container ship Maersk Alabama. Yesterday’s decision by the US Navy seals to kill three Pirates further saddened me. While I’ve heard people quickly jump behind the American crew and ship,  most of this has occurred without context. This isn’t to suggest that if you read these links, watch these videos, etc. that you will or should support the Pirates, but I am pretty sure it will help you better generally understand some of the dynamics that the Somali people live under. It will help you better understand who is involved and why this is not just a traditional “stand off.” Like most current events, when you scratch the surface, history bleeds through. I encourage you to check them all out.

First up, video interviews with K’Naan by Davey D. K’Naan is a phenomenal voice for Somalian struggle with his first two albums: The Dust Foot Philosopher and Troubadour. Remember when Chuck D said rap was Black America’s CNN, K’Naan has taken that to heart in his discussion of his life and his people’s lives.

Second up, an article that recently appeared in GQ magazine (yeah, Gentleman’s Quarterly) by Jeffrey Gettlemen of the NY Times. The article is one of most context sensitive mainstream press article on the situation, though it has its limitations.

Third up, Black Agenda Report was one of the first analyses of the Pirates that went beyond “Pirates after booty”/”maritime terrorist” approach of mainstream media. The deeper you dig, the more you see the manipulation of political powers for the good of few and the pain of the majority. Here is a piece from December on Sadia Ali Aden on some of the US involvement in the struggles happening there.

Keep informing yourself and keep on believing in the value of human life. As K’Naan said T.I.A.

Shout out to K’Naan and Davey  D’s twitter feeds where I got a lot of this and you can find much more… see people twitter can be useful for more than telling us what you ate today or your complaints about the weather ;)

I’ve been doing deep thinking and writing of late and one of my favorite ways to decompress is watch television. Not just any television, bad television. And thus I present “the questions.”

1. Why did Ray J cut Chardonnay (aka the only sane one) didn’t he know “shawty got gifts“?

2. Why am I kinda hyped that the Hills is coming back on and it’s looking like old times?

3. I’m excited about the new Mets Stadium Citifield but why does it look like a Giants (baseball) stadium?

4. Who the hell thought it was appropriate to use Sir Mix-A-Lot’s  Baby’s got back for a Bk Kid’s meal commercial?

5. How come every time I’m ready to say, “Yes We Can” someone makes me wonder, can we?

6. Why is Steve Harvey on every talk show and why are people reading his book? (If you’re reading his book, listening to him, and his advice makes sense, you’re dating the wrong men.)

7. Did UConn just roll over and die because they knew if they won a title they’d get it stripped for “irregularities“?

8. Why did having the Final Four in Detroit seem like a great thing until I realized Ford Field was going to be turned into the greatest mass depression ever? (And all you U of M folks who hopped on the MSU bandwagon, shame on you!!!!)

9. Why is the best thing about Harlem Heights that it’s 30 minutes?

10. Were they serious with that series finale for ER?

The conservative bible news magazine National Review has been really consistent with their critique of Barack Obama, as you can see from the March and April covers below. Which one is it?

hattip to JF

One of the great hopes for the Obama administration is a revised relationship to Cuba and her people. While for many this is about the advance of political ideologies or commerce, in reality it is as much if not more about people’s lives. When discussing Cuba and the United States questions of politics can loom large, but seldom are the voices of people the priority. Today, Pintando Postales opens at the Brooklyn College library and it is a rare opportunity to hear and see the world through children’s eyes in New York City and Santiago de Cuba! The work is a multi-year project executed by Katie Yamasaki, but more importantly it lifts the voices and worlds of school-aged children between New York City and Santiago de Cuba in correspondence. Ms. Yamasaki had children in New York City illustrate their worlds on postcards and then painted them holding their postcards. She then took these paintings to Santiago de Cuba and asked the children in attendance at the gallery to chose the child they felt most connected with and write a postcard in return and painted them as well. I got a chance to see a number of the paintings before the show opened and I was moved by their simplicity, beauty, power. The result is a moving dialogue between children across the Americas that really highlights the differences and similarities between cultures, religions, politics, and people. It’s truly a beautifully human exhibit, the show has an opening tonight from 5-7pm at the Brooklyn College Library, but will run through May 15th. It’s well worth the train ride, no matter where you’re coming from!

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Slavery did not end, it’s just been updated in the form of human trafficking! Beneath you will find a video that I was recently emailed that features a song by Peter Buffet and Akon. The song is entitled, “Blood into Gold (Remix)” and was commissioned to heighten awareness of modern day slavery in the form of human trafficking. Human trafficking is a major problem throughout the globe, but flourishes in many places throughout the African Diaspora. Yesterday Buffet and Akon performed the song as a part of concert in observance of the 2009 Commemoration of the International Day of Remembrance of the Victims of Slavery and the Transatlantic Slave Trade. Also yesterday, during my Black Studies class exam review, students asked me to talk about human trafficking/modern day slavery. I explained the process and then asked them, “if we re-read history and ask ‘why did people tolerate or turn a blind eye to the transatlantic slave trade?’ then we must also ask ourselves, ‘was it not for the same reasons that we ignore the trafficking of humans today globally?” I am really glad this collaboration occured. The song and video (which features a great live footage compilation) and web resources provide great seeds for action. Please spread the word and also visit www.istheresomethingicando.com to find out how to move from awareness to action!

hattip to Drew Citron